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The Political Symbols: Donkey and Elephant

5 February 2010

Ever wonder where on earth the Democrats got the donkey as a symbol of their party, and how the Republicans got theirs? I have. Well, it turns out a famous political cartoonist named Thomas Nast came up with both back in 1874.

Nast was America’s most influential political cartoonist from the Civil War to about the turn of the last century. Nast, a staunch Republican, used the jackass to portray what he thought were the Democrats: hardheaded, and downright stubborn. Surely the Democrats didn’t like it, but the symbol stuck, and they made the best of it. They kept the symbol, but called it a donkey, not an ass.

In 1874 and a few weeks before the election, Nast drew a cartoon of a rogue elephant for Harper’s Magazine. The rogue elephant represented the Republican voters, who he felt were being panicked by the Democrats. Apparently, some Democrats were spreading fears of the then running Republican president Ulysses S. Grant, who had been thinking of running for a 3rd term. At the time, the system of a two term presidency, set by George Washington, and a tradition in Washington since, was a code that no one should violate. If you did violate it, you were stigmatized and considered ,or condemned as someone seeking an undemocratic grab of imperial power. I find it amusing that Theodore Roosevelt, a Democrat, was the first and only one to violate that code in the 30’s & 40’s. Nast’s rogue elephant was a rebuke at Harper’s Magazine’s editor James Gorden Benett who in a series of articles had criticized Grant’s thoughts of running for a 3rd term.

Well, the Republicans kept the elephant as their symbol, after all, they liked to be thought of as tough, hoofed mammals having very thick skin, so the the elephant stuck. For the record, Nast is also responsible for shaping our image of Santa Claus. He created the face of the Santa Claus we’ve all come to know and love. And if you can believe it, Van Gogh was influenced by this cartoonist. It is said that Van Gogh had a collection of Nast illustrations in a bound volume which he referred to from time to time.

The issues of the late 1800’s have long gone, but the donkey and elephant are still here, and remain our political reference point whenever we see them.

References: The Greatest Stories Never Told, harpweek.com

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